While artistically similar to 16-bit era figures, the characters come to life with outstanding animations that are as endearing as they are precise if the dialogue doesn’t scream personality, the cute smiles and poses sure will. Most of the camerawork is done as players move around, but key scenes take the reins out of the player’s hands to do some panning here and there. Each music track seamlessly matches the scene it shares, but if one takes a moment to listen, we are warmed by a similar style of music to the previous games–primarily with the gentle tapping of piano keys. At no point did I ever feel like my time was being wasted or an exchange frivolous. To assist in this journey, we have concise dialogue where every word feels labored over. It’s as heartbreaking as it is beautiful. Here is a touching tale of two people who find each other, grow together, face challenges, and have to make tough decisions. Introspection aside, Impostor Factory can be enjoyed on its face. In doing so, we’ve asked ourselves time and again: what is the perfect life? Is it one without challenges? How important are memories? Sigmund Corp., for those unfamiliar, is a company that can help dying people find peace and happiness as they depart the world by altering memories using a fantastic machine.
That’s been the theme of the To the Moon series. And in that hope, we learn about ourselves.
We wonder–what would I do? I remember doing something like that. Impostor Factory is a reflective experience in which we fall in love with our charming protagonists and see ourselves in them through laughter and tears. Instead, we’re invited to ask these questions without being confronted.
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Though, Impostor Factory is more than just a mysterious romance: it demands the player ask questions about their own life, how to face–and embrace–challenges, and what a satisfying life looks like.įreebird Games don’t preach or get on a soapbox, either. While the time loop murders grow invisible in the rearview mirror, further mysteries reveal themselves surrounding his life and fate. We get to learn about Quincy and his time with someone special. Of course, Impostor Factory isn’t just a murder mystery. Amidst the panic, he washes his hands, and then meets his hosts happily alive and carrying on while waiting for the guests to arrive. Over the course of his stay, he discovers his hosts mysteriously murdered. While there, he meets several accomplished individuals. Our lead, Quincy, finds himself with an enigmatic invitation to a mansion. This tale is just about charting a course through life like anyone else, albeit with a touch of fantastical sci-fi. Impostor Factory doesn’t offer tomes of lore, dramatic tales of mountain climbers overcoming adversity during a winter storm, or humble peasants turned heroes as they battle an ancient evil. In truth, the writing itself isn’t anything terribly sophisticated. One could reference the enchanting melodies, the precision of the camera during moving scenes, or expertly crafted animations each sprite boasts, but none of these work in isolation. We’re unaware of what exactly makes these games so powerful. What most people see is the writing, with everything else serving as a complementary backdrop. Impostor Factory meets the standard with an emotional journey that philosophizes about life with a few laughs sprinkled in.įreebird Games’ works have always been a powerful marriage of direction, sprite design, music, pacing, and writing. Finding Paradise followed in stride quite well, earning an Editor’s Choice award from me. All jokes aside, To the Moon has changed lives–including my own. Well, okay, Impostor Factory is made with RPG Maker XP, so clearly they’ve moved into the modern age of game engines. Kan Gao and his team at Freebird Games have somehow created arguably the best storytelling gaming has ever seen–with RPG Maker.
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